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The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous., “And just worships you. Is your lawn mowed?”, In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.”.